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This component requires learners to demonstrate their knowledge and understanding of how drama and theatre is developed and performed through the study of a performance text and through responding to live theatre.
Section A
Learners will study one complete performance text from the list below. It is expected that learners will approach the study of the text practically as an actor, designer and director. A clean copy (no annotation) of the chosen set text must be taken into the examination. The following texts will be used for assessment from 2024 onwards:
· Macbeth William Shakespeare (Wordsworth Classics)
· An Inspector Calls J.B. Priestley (Heinemann)
· Find Me Olwen Wymark (Samuel French)
· Noughts & Crosses Malorie Blackman adapted by Sabrina Mahfouz (NHB)
· Refugee Boy Benjamin Zephaniah adapted by Lemn Sissay (Bloomsbury)
· I Love You Mum – I Promise I Won’t Die Mark Wheeler (Bloomsbury)
· The IT Vivienne Franzmann (NHB)
Learners must consider how the text is constructed and how performances create meaning through:
• the characteristics of the performance text, including
1. genre
2. structure
3. character (including interpretation and function within an extract)
4. form and style
5. language/dialogue
6. stage directions
• the social, historical and cultural context including the theatrical conventions of the period in which the performance text was created
• how meaning is interpreted and communicated through
1. performance conventions
2. use of performance space and spatial relationships on stage, including the impact of different stages (proscenium arch, theatre in round, traverse and thrust) on at least one scene
3. relationships between performer and audience
4. the design of lighting, sound, set (including props) and costume, hair and make-up
5. the actor's vocal and physical interpretation of character.
Section B
Learners are required to analyse and evaluate one piece of live theatre viewed during the course. It is recommended that learners take the opportunity to view a professional full length theatre production. However, the work of amateurs can be used, but not the work of peers. It is also recommended that learners see more than one live performance when preparing for this assessment to allow sufficient scope for answering on a variety of aspects during the examination. The live theatre production chosen for viewing must not be the text studied in Section A of this component.
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